The central element of the artwork is a sculpted head, representing the artist. The head is meticulously molded and presented in its initial form. The use of sculpture symbolizes the physical and psychological endurance of the individual facing torture. The water drops, crafted from lime, gradually deteriorate the sculpture over time, mirroring the transformative process of crystals found within lime caves

The artwork draws attention to the growing reliance of the State Administration Council (SAC) on natural resources and the drug industry. The ease with which drugs have spread to regions like Shan State, Thailand, and the Chinese borders becomes a focal point for the artist. Through their work, the artist satirizes the prevalence of distractions among the youth, the escalating military expenditures, and the flourishing opium culture

The artist conducted a public photo projection, comparing the hopes they had in 2012 with the current state, by showcasing photos taken back in 2012 in IDP camps and conflict zones

The artist mimics the acts of Yadaya (the superstitious magical rituals that are done to delay, neutralize, or prevent misfortune, widely practiced amongst military leaders) and composes omens that criticize the constitutional laws where the Military is given absolute or extreme power. He satires the Military's urbanization and abuse of its people by the image of hermit crabs. The artists applied Augmented Reality so the viewer can experience the artworks by scanning any Burmese Kyat Banknote via a simple QR code